表现手法老旧，剧本老土，没有色彩。
但我就是不可救药的迷上了这种老电影。
最让我印象深刻的就是奥黛丽赫本所饰演的女主角，在巴黎学会了生活的方式后，开始用玫瑰色的滤镜去观看这个世界。
玫瑰人生，这是我听过的最好的诠释。
同时片中的男主角真的非常迷人。
虽然拿现在的观点来说，奥黛丽赫本和男主角这种老少配也挺罕见。
但两人所演出来的情愫和含情脉脉，真的让我看得非常着迷。
多希望自己也能像片中的男主角一样，乘着去巴黎的游轮，和爱人一起在甲板上眺望日落。
Bogart and Hepburn had very distinct qualities and large age difference, but their level of subtlety was on par, making the chemistry between them exciting to watch. The relationship between Bogart and Hepburn in this film seemed more like an adult-to-adult relationship, where as the pairing of Bogart and Bergman in Casablanca had significantly more baby-sitting element, despite the smaller age difference in reality.
The two film share common elements in plots and character design. Comparing to Bergman, Hepburn is more in control, even though their roles are similar in stereotype and circumstance. This created a much more balanced interaction between the leading male and female and a more clenching story development. In a mediocre film with predictable plot, the performances of Bergman and Hepburn are especially memorable.
“龙凤配”令人心动的爱情片 亨弗莱为什么发脾气？
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