This week’s discussion prompt exactly explains why I don’t quite like this film. Although Izumi is the only main character in this film and the core of all the plots, I could not find a specific and powerful identity from her. In other words, the constant fluidity and ambiguity of Izumi confuses me and block my potential emotional resonance with her. I don’t agree that there is a unilateral or unidirectional change in her characters, not simply transforming from immatur
运镜和氛围都很绝……呆suki
扑面而来的少女感，举手投足间都很娇憨，但是又隐隐能透露出近乎残酷的血性。有些怯生生，但又勇莽到无所畏惧。和现在所流行的娇柔做作的“少女感”可谓云泥之别。
个人认为星泉开始从少女到女人的转变是和阿明的那一幕，她从一个被保护者，变成“母亲”。
少女就应该是一个很残酷的词语，诚然她需要被人保护，但却毫无脆弱可言。父亲死后，她的悲伤流露得非常隐秘、不易察觉；受到肥佬的死亡威胁但对峙的气势丝毫不输。
最后一幕，星泉穿着深蓝色的水手服，红色的高跟鞋
“水手服与机关枪”【CIMS304 Japanese Cinema】Discussion Post Week.11
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