昨晚，看完了梅姨的一部98年的豆瓣高分电影《one true thing》（《亲情无价》）。
平实的故事，精湛的演技，动人的细节，现实的台词，无疑，让梅姨获得提名第71届奥斯卡金像奖最佳女主角的荣誉实至名归。
怎么去看待电影讲述的一个故事，或者说反映的一种社会现象呢？很难，很复杂。
且不说22年前人们的三观与现在的差异，经济社会的多元化发展，让我们的社会结构发生了很大的变化。女性力量的崛起，对女性的全方位的认知，以及女性自我意识的觉醒，都让女性在家庭中的角色与地位发生着一些变化。
然而
“one minute you are in school and the next time you look up...and your life’s all turned around and screwed up. You try and you try to get ahead somewhere in it all you just...you lose yourself. And you never know when it’s gonna come...comes out of now here. Bang...It’s just...your life is a disaster.”
虽然现在还没离开学校，但半工半读的状态确实让我感受到了生活之艰辛，也会隐约觉得，还没回过神来时间就已超越灵魂把身体放到了一个陌生的世界。更会害怕
No matter how well we eventually come to understand our parents, our deepest feelings about them are formed at a time when we are young and have incomplete information. “One True Thing” is about a daughter who grows up admiring her father and harboring doubts about her mother, and finds out she doesn't know as much about either one as she thinks she does.
The movie is based on the 1995 novel by Anna Quindlen about a New York magazine writer whose father is “Mr. American Literature” and whose mother seems to have been shaped by the same forces that generated Martha Stewart's hallucinations. Ellen (Renee Zellweger) is bright and pretty but with a subtle wounded look: She has that way of signaling that she's been hurt and expects to be hurt again.
《亲情无价》匠心精制的剧情片 To Love What You Have
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