美国西部篷马车队的故事

and i have committed to pain
as of those Arabian chords......
and everything seemed so beautiful to bear
as the watched-over-an-over dancing scene is
launching
after shinny parts of conversations and start
birds were murmuring in the dim distance
and everyday struck, every night,
where pretty ideas rest
in the white marbled arms
how soothing is the music
how soothing is the dance
and
how suffocated I am, alone
in a seat sunk

可谓是阿斯泰尔对自己摇摆舞演艺事业的轻松调侃。遗憾在于故事松散，欠缺主要冲突，和缺少高潮，缺少将焦点人物逼入绝境只能二选一的高潮。男女主人公对于舞蹈形式分歧的解决过程过于轻松，甚至令人忽视了它的事件困境作用。奥斯卡黎凡特在《一个美国人在巴黎》中展示出的钢琴技巧也没有机会体现。一个充满天赋的制作班底，本能成为令影片从合格到杰出的保证，但仿佛半开水似的故事结构实际令它看上去就像一座冰山，只有1/8的天赋露出了水面。

“篷车队”爆炸好看的喜剧片 专业舞者就是不一样
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